Source of the Severn (part 2)

Plynlimon moorlandsThe view from the kitchen window this morning was quite inspiring, with a light dusting of snow on the hilltops. A trip up to the source of the Severn seemed as good a cure as any for the cabin fever that’s been kicking in over Christmas and New Year.

The route is part of the Severn Way and is accessed from the car park at Rhyd-y-benwch, where it runs along a boardwalk and on to a well-defined path following the river upwards through the forest.

The Severn and its tributaries pass through a number of gauging flumes installed in the late 1960s as part of the Institute of Hydrology’s Plynlimon catchment experiment—set up to study the effect of plantation forestry on water yields. Along with another guy from school, I spent some time doing work experience at the Institute’s field station on the edge of the Hafren Forest. We had a good laugh, but everything was fun in those days. On the first of the month we had to check and read all the raingauges in the upper Severn and Wye catchments, some of which were pretty inaccessible even with a Land Rover. I seem to remember it rained a lot.

The Hafren Forest was a very different place in the eighties. Today, large areas have been clear-felled and there are good views from the Severn Way, but back then it was a maze of forest roads and firebreaks. School trips to the nearby Staylittle Outdoor Centre would always involve orienteering exercises where, corralled in between acres of Norway and Sitka spruce, we used to get absolutely lost. It was great.

Originally planted in the 1940s, the forestry proved to be something of an ecological disaster for the rivers. Conifers were planted to the edges of the riverbanks, which, combined with extensive networks of drainage ditches caused acidification of the water and the widespread loss of aquatic invertebrates and fish. Steps are now being taken to correct this and the Forestry Commission are in the process of clearing conifers from the banks of the upper Severn.

Sadly, the forestry is only part of the story. Acid rain—these days a largely forgotten environmental issue—continues to affect the uplands of Mid Wales. Although the technology exists to remove the harmful sulphur and nitrogen compounds from power station flue gases, this has the effect of increasing carbon emissions. For this reason, we’re stuck with acid rain. pH levels in some cases as low as 4 mean that many of the upland rivers remain almost completely lifeless.

The path starts to level out and the sound of the river that has accompanied me all the way up is replaced with an eerie silence as the Severn oozes soundlessly amongst the blanket bogs. I linger here for a while but for the first time today there is a real chill in the air and I soon decide it’s time to head back.

Back at home I lie in the bath, submerged in water, some of which must have come down the river Severn on its journey through the Hafren Forest. I wonder if maybe it fell as snow, high on Plynlimon. It is dark outside and I think of the river out there in the forest, splashing down rock faces, swirling through mossy ravines and churning over and over in the dark pools.

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Scotland : The Wild Places

Scotland : The Wild PlacesAt the end of a long single-track road on Skye is a tiny fishing village called Elgol and a small beach where every landscape photographer in Britain—and these days they are legion—will, it seems, eventually stand. I’ve done it myself. Twice.

Usually taken at sunset or dusk, the view from the beach across Loch Scavaig towards the Black Cuillin has become a rite of passage, a trophy image. Largely made famous by Joe Cornish (whose unique interpretation graces the cover of his excellent book First Light) this shot is often something of a “landscape photographer’s” view of the Cuillin. The peaks that are known, loved and feared amongst Munro climbers are relegated to the skyline where they often appear tellingly distant.

I’ve been moping about the house with the flu for the past week and yesterday I picked up Colin Prior’s Scotland The Wild Places that has been sat on a bookshelf of mine for probably a couple of years now. I’d always wanted to read it but somehow hadn’t got around to it.

The panoramic format works really well here and I found myself drawn deep into the landscapes. Colin has gone to incredible lengths to capture them in the right conditions and the often low-angled light renders everything in amazing detail. Often named according to the prominent peaks in the frame, they tap into a deeper appreciation of mountains, one that transcends aesthetics and captures some of their unique characters. It is revealing that Colin’s photographs are often sold as posters in outdoor shops.

Landscape photographers can often wax lyrical about their deep connection with nature but rarely does that come across in their images as clearly as it does here. It is refreshing to see a celebration of mountains not just for their aesthetic potential, but as things in their own right.

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Be there

The last thing I wanted to do is to start writing about gear, especially camera gear since the web is now surely beyond saturation point with that kind of stuff. However, I do confess to being partial to the occasional gadget from time to time, the latest one being the Suunto Core wrist-top computer that woke me up at 5:00 yesterday morning with an ominous storm warning. As well as a barometer/altimeter, it also has a compass and sunrise/sunset times, which makes it great for landscape photography.

Ironically, one of the reasons I bought it is that I’ve lost faith in electronic gadgets in general. After being seriously let down by my iPhone on a variety of occasions, I’ve come to view it as something of a bonus when these things work rather than anything to be taken for granted. It seems to me that the more complex and all-powerful devices become, the more they develop an uncanny ability to let you down when you need them most. The Suunto does a handful of things and it seems to do them well, so I feel it is a bit different.

One thing that I do use quite a bit on the iPhone is WeatherPro, an excellent and really quite accurate source of information that doesn’t seem readily available elsewhere. As an example, I found a small window of opportunity this morning (Saturday) to get some photography done before another band of rain, quite possibly triggering another Suunto storm warning.

Of course, the truth is that even with all the gadgets in the world, you still need to get out there, which brings to mind the wonderfully anti-gear maxim “f/8 and be there”. It’s both amusing and depressing to see how many people on the internet seem to get hung up over the “f/8″ part.

“Be there” can also be interpreted in another sense with landscape photography, since chance plays such a part that it often pays to be open to the idea of serendipity and to be receptive to the opportunities that do present themselves. Sometimes it pays to abandon preconceptions in favour of what the landscape wants to say.

Even with this in mind, it surely makes sense to find ways to stack the odds in our favour; to improve the chances of being there. That is the real purpose of the gadgets and iPhone apps.

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Spring is in the air

Lake Vyrnwy at dusk

Lake Vyrnwy at dusk

It’s been a while since I’ve written here mainly because photography-wise the past few months have been a bit of a winter of discontent. Maybe I’ve been unlucky but attractive light seems to have been a scarce commodity recently, and this alone has stopped me producing much that I’ve been happy with. The heavy snowfalls haven’t exactly helped, but in the last couple of weeks the longest winter I can remember has finally released the landscape from its icy clutches.

Some of my more successful recent images have come from north Powys. On a beautiful March morning at a sheepfold high above Cwm Eunant, I looked towards the snow-capped peaks of Aran Fawddwy and Aran Benllyn, and a few evenings back I returned to a spot above Lake Vyrnwy that I first visited over ten years ago.

Returning to these places a few years later, it surprises me how little I remember of them, the routes blurring into a sequence of vague memories and half forgotten details. A stile, a path through a wood, a stream crossing or maybe a hillside bathed in evening sunlight. Is that here or was that somewhere else? In his book Hell Of A Journey, Mike Cawthorne recounts the experience of mountaineer Doug Scott who claims to have no memory of the summit of Everest beyond the one photograph he took there.

Looking over Lake Vyrnwy on an evening more like the one I was hoping for the first time, my original image, shot on 35mm Fujichrome Velvia, suddenly seems like a lifetime ago. I now work digitally on equipment costing orders of magnitude more, and I’m more experienced technically and artistically. The intervening ten years has been an adventure, and on the way I think I’ve developed a stronger sense of the type of images I want to create. Although I love the Mid Wales landscape and I’m sure I’ll continue to photograph it, part of me feels restless and I’m starting to wonder whether it’s time to seek out some new challenges.

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A favourite place

Take the Aberystwyth mountain road out of Rhayader for about half a mile until you reach a turning to the left, across a small bridge. Around a mile up this lane, you will find a place where two fields don’t quite meet. From here, a small path overgrown with brambles threads its way downwards, quickly disappearing out of sight. Hemmed in by hedges, it’s not a place for the claustrophobic and it’s a quagmire at the best of times. After the last 3 weeks, well, it’s a stream.

The path starts to open out as it crosses the valley floor, before rising upwards to a gate, then turning steeply up the slope to a small hanging valley and the interestingly named Craig y Diawl or “Devil’s Rock”. Following the stream up the hill for a short way you can find the farm of Lluest Pant y Llyn, now a ruin.

There are very few trees on the Elenydd plateau and it seems that this small stand was planted to provide a bit of shelter from the prevailing wind. At this time of year anyone who lived up here would certainly have been glad of them.

I have something of a fascination with these trees and have spent the last year thinking about the best conditions in which to photograph them. I now think I know, and I’m quite looking forward to it.Lluest Pant-y-Llyn ruins, Powys, Wales

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